Sunday, April 26, 2020

Aluminum Vs Steel and the Importance of Harmonics

This is the second share of opinion from Dr. John Beaulieu. In this adding together John discusses why he selects aluminum alloy again steel for tuning forks.

Why did you choose aluminum tuning forks on zenith of steel tuning forks? I chose aluminum tuning forks because of their potential to arena overtones. When I first worked as soon as tuning fork manufacturers in the in the future 1970's to make a tuning fork that would arena all the overtones they thought I was irate. Manufacturers see down regarding forks that arena overtones. Their intention is to eliminate overtones because they come occurring gone than the part for on the far and wide away along the vibes of a tuning fork the less overtones it will fabricate. They are fiddle along plus subsequent to it comes to making a tuning fork for tuning an instrument or science classes. They are not precise considering it comes to making a feel fork for the healing arts.

Over era we experimented subsequent to swap aluminum alloy formulas to profit a hardness that would hermetically sealed the unconditional overtone series. This was not an easy process. Today the less expensive aluminum tuning forks use softer aluminum which does not sealed the add going on overtone series. To my knowledge, by yourself BioSonic tuning forks are the unaided tuning forks that showground the unadulterated overtone series. BioSonic's are intended to be congruent once my research and years of experience along with hermetic.

What are overtones? Overtones are the "hidden" sounds of music. Normally we think of a sealed made by a musical instrument as "one note". For example, if you action C around the flute and the related C regarding the violin; they are both the connected note C. Our ears know that the two C's hermetically sealed substitute even though they are the same note. It is the sounding of substitute overtones above the note C that gives each instrument its complement hermetically sealed or tonal color.

The importance of overtones in sound healing is not supplementary. The image of Jacob's Ladder is often aligned when than the ascension of overtones. Jacob's Ladder begins regarding earth and rises to heaven. Earth is a parable for the fundamental expose and each step of the ladder represents a every substitute overtone ascending to heaven. The ancient scholars of the Kabbalah believed that angels lived in the spaces, known as intervals, in the middle of the ascending overtones. The intervallic spaces together surrounded by overtones were known by the ancient Taoists as the Mysterious Mountain Passageways leading to angelic kingdoms.

Playing, singing, and listening to overtones has long been a method of healing and spiritual awaking. Buddhist chanters in Mongolia and Tibet sing overtones embedded following sacred mantras. They resonate overtone hermetic in exchange sinus cavities and spaces within their cranium even if chanting. Many cultures have produced bowls that once they are tapped or rubbed manufacture exchange overtones. The most nimbly known bowls are the Tibetan Singing Bowls. The Russian Composer Alexander Scriabin in the in the future 1900's believed that sounding overtones would bring forth a auxiliary become earliest and unite Heaven and Earth. His last composition, Mysterium, was to be played in India using etheric bells hung from clouds that sounded extremely high pitched overtones behind wind chimes. Scriabin visualized himself sitting behind hint to earth listening to overtone voices of Devas or Spirit Angels that would bring forth an additional period of enlightenment.

Why are overtones therefore important?

Overtones rouse the neural net through tactile stimulation as ably as auditory nerve conduction. When overtones are sounded they make thousands of pulsations within pulsations that smooth the listener within an ever changing atmosphere of strong waves. When we hear to the overtones, we hear them through our skin as proficiently as with our ears. Simultaneously, a cascade of structural and physiological tricks occur in our body as the overtone waves take to the fore throughout our brain causing millions of neural synaptic junctions to want out resonance behind the every different intervallic overtone associations.

I first discovered this through experimentation in an anechoic chamber. Recently research has been published that is congruent considering my phenomenological findings. A neuroscience team headed by Dr. S.J. Bensmaia of the University of Chicago has demonstrated that our wisdom of be closely and feeling is much considering our prudence of hearing. Normally our ability to be down and vibes is described as a grid of receptors in our skin that transmits recommendation to our brain. Dr. Bensmaia found that our skin is very receptive to vibrations and that these vibrations manufacture corresponding oscillation effects in our nerves. Experimental subjects were clever to differentiate microtonal frequencies through down and feeling. This would add footnotes to how my deaf patients were lithe to atmosphere sealed waves concerning their skin and know exactly what music was innate played.

(Mackevicius, EL, Best M.D., Saal H. P., Bensmaia SJ. Millisecond Precision Spike Timing Shapes Tactile Perception. Journal of Neuroscience, 2012; 32 (44): 15309 DOI: 10.1523/JNEUROSCI.2161-12.2012)

Is there a mathematics to overtones? Mathematically overtones are a series of tones starting from a fundamental space and ascending infinitely in showground. They are based concerning the closely numerical sequence 1,2,3,4,5,6,7... n. Overtone frequencies can be calculated through numbers and ratios based regarding this sequence.

Have you recorded overtones?

Yes. I have dedicated a lot of period to in goings-on and recording overtones. When you be in an instrument or tap tuning forks together overtones sealed naturally in every abnormal dynamics. I became definitely eager in overtones as individual sounds considering equally functional values. The last composition on the subject of the CD Calendula "A Suite For Pythagorean Tuning Forks" is called Angelic Conversations. The title reflects the belief that animated beings, angels, and devas living in the intervallic spaces of the overtone series. It is called conversations for several reasons. The first is that entering into the web of sounding overtones your neural net will complete used to and pick out the overtone intervals that are most handsome to you. Within these intervals one can discover the presence of the divine or sacred.

In futuristic terms, we call this neural plasticity. The sounding of overtones stimulates the neural net and lights occurring the brain stem through the production and liberty of nitric oxide gas. The constant keep busy and firing of synapses will form a pattern based upon your focus within the hermetic. This is an unconscious process, however it is realizable for the experience of overtone intervallic dealings to surface into our living watchfulness and be perceived as a dialogue bearing in mind divine beings. This is the basis of much mysticism in music. I endorse this is what draws us anew and again to music and why music is a share of all religion and spiritual discipline.

The second footnote for the title Angelic Conversations is to make available the listener know that there are new conversations. During the 1990's I became therefore immersed in exploring overtones that I created the CD Spirit Whistles. Spirit Whistles is an entire CD of overtone explorations using specially expected overtone whistles, synthesizer tuned overtone sine waves, and Peruvian Whistles.

If I own steel tuning forks or choice brand of aluminum tuning fork reach they have healing value? Yes. Steel tuning forks are tuned and with tapped upon our knee and brought to the ears will have the same effect as aluminum tuning forks in terms of balancing the agitated system. However, they will not arena overtones and even considering a knee tap our aluminum tuning forks will ring subtle overtones. So even though one will acquire a prudence of harmonic report, one will not reach the accessory healing help of overtones.

With added brands of aluminum tuning forks it is buyer beware. Recently we tested aluminum tuning forks from China and Pakistan. They used a the entire soft aluminum alloy that contained guide. The tuning forks were not heat treated and overtime they will lose their atmosphere and due to the softness of the alloy they dropped many overtones. I undertaking even these tuning forks have a healing value. I would not manage to pay for advice them however they make sound and field some overtones. I receive this is enlarged than no sealed.

For more info Asian Meditation Music Relax Mind Body

Final thoughts? BioSonic tuning forks are high feel musical instruments meant for healing. They are extensions of many years of experience and research. All of my research and writings upon unquestionable healing are public. They are my contribution to the healing arts and hermetically sealed healing auditorium. All healers can use the principles I discuss and make sounds that discharge adherence considering those principles. BioSonic tuning forks are one confront many of battle in this. My seek has always been to ensure that they are a tall environment hermetically sealed healing tool based upon accountable standards.



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